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From prep through opening, I handle the programming so you can focus on the design.

I prep the show file before we hit the venue—patching, palettes, groups, and magic sheets ready to go. During tech, I program everything. Through previews and opening, I tune the show and make sure it runs the same way every night.

Build looks and explore ideas before you step into the theater. Previz lets us work through the design, test color choices, and have a head start when tech begins.

Setup and programming for Blacktrax and ZacTrack performer tracking. From calibration to console integration, I make sure your tracking works reliably every show.

Design and setup of lighting networks—sACN, Art-Net, multi-console rigs. I make sure everything talks to everything else and stays running.

Clean paperwork that makes sense to the next person. Focus charts, cue sheets, and handoff packages that keep touring shows consistent.

Workshops and one-on-one training for programmers, students, and production teams. I teach Eos workflow, show file organization, and practical problem-solving.
Understanding your production, design intent, and technical requirements.
Building show files, previz sessions, and documentation before tech.
On-site programming, collaboration with the design team, and refinement.
Complete documentation, training, and support for long-running productions.
“Harrison is the kind of programmer who makes tech feel effortless. His preparation is meticulous, and his calm demeanor under pressure is invaluable.”
I take on a limited number of projects to ensure each production receives the attention it deserves. For availability and rates, please get in touch.
IATSE member available for union and non-union productions.
US and EU work authorization (dual citizenship).
I'd love to hear about your production and discuss how I can help bring the lighting design to life.
Get in Touch